We are rolling.

We are rolling.

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Vocals: Shure SM7b

Vocals: Shure SM7b

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Tyler’s and Josh’s Rigs: Vintage 1969 Ampeg SVT Classic through matching 8x10 / 1966 Fender Bassman through vintage Marshall 4x12 w/ Celestion Blackbacks.

Tyler’s and Josh’s Rigs: Vintage 1969 Ampeg SVT Classic through matching 8x10 / 1966 Fender Bassman through vintage Marshall 4x12 w/ Celestion Blackbacks.

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Mike’s Rig: Vintage 1965 Fender Deluxe Reverb through Hiwatt 4x12 w/ Celestion Blue Speakers + Orange AD30 through matching 2x12 w/ Celestion Vintage 30s. Running in dual-mono (both on at the same time). Sounds massive.

Mike’s Rig: Vintage 1965 Fender Deluxe Reverb through Hiwatt 4x12 w/ Celestion Blue Speakers + Orange AD30 through matching 2x12 w/ Celestion Vintage 30s. Running in dual-mono (both on at the same time). Sounds massive.

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Tama Star Classic Maple Drumset

Tama Star Classic Maple Drumset

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It works! Homemade sub-kick microphone, using an NS10 speaker.

It works! Homemade sub-kick microphone, using an NS10 speaker.

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Tyler and Josh hard at work, building a Yamaha NS10 sub-kick microphone and fixing a speaker cabinet.  

Tyler and Josh hard at work, building a Yamaha NS10 sub-kick microphone and fixing a speaker cabinet.  

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SSL Mynx E-Series Dynamics and EQ, Tube-tech CL-1B, Purple Audio MC77, Urei 1178, Empirical Labs Distressor EL8-X, ADK AP2, UA LA-610, Chandler Germanium, 4x BAE 1073s, Otari MX5050 1/2” 8 Track Reel to Reel

SSL Mynx E-Series Dynamics and EQ, Tube-tech CL-1B, Purple Audio MC77, Urei 1178, Empirical Labs Distressor EL8-X, ADK AP2, UA LA-610, Chandler Germanium, 4x BAE 1073s, Otari MX5050 1/2” 8 Track Reel to Reel

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Trident Fleximix Console & Neve 5432 Console

Trident Fleximix Console & Neve 5432 Console

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We’re recording a demo tape of 6 new songs in our makeshift all-analog home studio.
This is our tape machine: 8 Track, 1/2” Otari MX5050 w/ RMG911 Tape.

We’re recording a demo tape of 6 new songs in our makeshift all-analog home studio.

This is our tape machine: 8 Track, 1/2” Otari MX5050 w/ RMG911 Tape.

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